Wednesday, November 22, 2017

Bootlegs For Black Friday!


Pearl Jam announced that now through 12 am PT on Monday, November 27.  Almost all of their bootlegs are on sale.  Digital bootlegs are 50% off.  CD boolegs are 25% off.  Bootlegs from the Wrigley 2016 shows and any boxed sets are full price.

No code.  [sic]  Just go enjoy.


Sunday, November 19, 2017

One Classy Night in Seattle


This weekend, Will Ferrell announced that he will be appearing on February 12th at the Moore Theatre with Mike McCready, Brandi Carlile, and Red Hot Chili Peppers' Chad Smith for an evening of stories, comedy and music.  Proceeds benefit Cancer for College.
One Classy Night in Seattle: Will Ferrell and friends gather for an evening of musical chit-chat, live rock-n-roll and very little cowbell. Will Ferrell and his musical pals Brandi Carlile, Mike McCready of Pearl Jam and personal doppelganger Chad Smith of Red Hot Chili Peppers will gather on stage at the historic Moore Theatre in Seattle on Monday, February 12, 2018 at the Moore Theater in Seattle for a very special musical experience benefitting Cancer For College. The audience will be invited to sit in as the group will have a lively discussion about the songs, music and performers that have shaped their careers. Expect the group to share personal anecdotes and first-hand experiences from throughout each of their incredible careers. The evening will be capped by a very special live performance from the super group as they jam through some of their favorite songs from rock-n-roll history.
Sorry for the late reporting, but there are a few tickets left if you hurry!

Thursday, November 9, 2017

Obey the Law of the Heart



PearlJamOnline.It has caught that Pearl Jam is releasing a new song on the Basmati Blues Soundtrack called Obey the Law of the Heart.  It's penned by Stone Gossard, performed by Pearl Jam and Indian artist, Sain Zahoor, with actress, Priya Darshini.

This would be the first Pearl Jam studio work since their cover of Brandi Carlile's Again Today earlier this year, and the first original Pearl Jam song since 2013's album, Lightning Bolt.

Are we hearing it in the trailer below?  Maybe?



Thursday, November 2, 2017

All Things Fade Away by Levee Walkers



The Levee Walkers, Mike McCready's project with Duff McKagan, Barrett Martin, and a rotating cast of vocalists, has released another new song, All Things Fade Away, featuring rising Seattle artist, Ayron Jones. 




You can read more about the song and the band at Rolling Stone's website.  
"All Things Fade Away," backed with another new song "Madness," is the band's third single, following a pair of 2016 releases featuring Coleman and Sophia. Martin produced the latest release, with Seattle icon Jack Endino mixing. The two new tracks will be available for purchase Friday, both digitally and on a seven-inch.
Watch Hockeytalkter Records for the release.

Wednesday, October 25, 2017

Pearl Jam Announces Fourth South American Show (Rio)


Well, this spring is shaping up into a real tour.  Pearl Jam has just announced that they will be performing in Rio de Janeiro's Maracanã Stadium on March 21st, 2018.  They'll even be shedding their popular "An Evening with Pearl Jam" format an including openers, Royal Blood.

Ticket information, including Ten Club pre-sale info, is here.

Monday, October 23, 2017

Eddie Performs at Letterman Award Ceremony


Last night in DC, David Letterman was honored with The Mark Twain Prize for American Humor.  Eddie was on hand to perform Keep Me In Your Heart by Letterman favorite, Warren Zevon.


Tuesday, October 17, 2017

Poncier Coming to Record Store Day (Black Friday)

The Black Friday Record Store Day list was announced today.  Nothing by Pearl Jam, but one of the most Pearl Jammy non-Pearl Jam items in "existence" is coming.  Record stores will have the Poncier demos on vinyl and cassette.  What is Poncier?  It's the demo tape sold by Matt Dillion's character Cliff Poncier, but in reality, record by Chris Cornell, in a cut scene from the movie Singles.

Here is the blurb from this year's Super Deluxe release of the Singles Soundtrack:
One of the best bits of Singles lore I've heard is the story of the Poncier tape that Jeff Ament designed – which is coming out in full on this new edition of the soundtrack – and how all these actual songs were birthed out of it. 
It's kind of amazing. The idea was that Matt Dillon's character, Cliff Poncier, in the course of the movie, he loses his band, and he loses his girlfriend, and he gains soul. So, there's a period where he's on a street corner busking, having lost his band, but beginning his solo career. And there would be, in reality, these guys standing on the corner outside the clubs in Seattle hawking their solo cassettes. So we wanted Cliff Poncier to have his own solo cassette. And Jeff Ament, in classic style, designed this cassette cover and wrote out these fictitious song names for the cassette.

And Chris Cornell was another guy who was close to us when we were making the record, and still is a good friend. I really loved Soundgarden; they were my favorite band. I originally thought Chris could play the lead, but then I think that turned into too big of a commitment for everybody and so he became the guy he is in the movie, but in the course of making the movie he was close to all of us. He was always around.


Anyway, Jeff Ament had designed this solo cassette which we thought was hilarious because it had all of these cool song titles like "Flutter Girl," and "Spoonman," and just like a really true-type "I've lost my band, and now I'm a soulful guy – these are my songs now" feeling. So we loved that Jeff had played out the fictitious life of Cliff Poncier. And one night, I stayed home, and Nancy, we were then married, she went out to a club, and she came back home, and she said, "Man, I met this guy, and he was selling solo cassettes, and so I got one for you." And she hands me the Cliff Poncier cassette. And I was like, "That's funny, haha." And then she said, "You should listen to it." So I put on the cassette. And holy shit, this is Chris Cornell, as Cliff Poncier, recording all of these songs, with lyrics, and total creative vision, and he has recorded the entire fake, solo cassette. And it's fantastic. And "Seasons" comes on. And you just can't help but go, "Wow." This is a guy who we've only known in Soundgarden. And of course he's incredibly creative, but who's heard him like this? And we got to use "Seasons" on the soundtrack, and Chris did some of the score. And some of the unreleased score is on the new version of the album.


It's kind of an example of how the community was close, still is close, and musically generous, and everybody is such huge music fans, that this would be the greatest joke to share with a buddy you can imagine. And obviously the music really holds up. He went and recorded "Spoonman" with Soundgarden and it was a big hit. It's a statement about how when you're not worried about somebody judging you or looking over your shoulder sometimes you do great stuff. And that's the story of the fictitious Poncier cassette that became largely real.
The records and tapes will be available in three colors, randomly distributed to record stores.  There will be 4,000 copies on vinyl and 1,500 copies on cassette.

Friday, October 13, 2017

Joe Buck Interviews Eddie Vedder


The Ten Club published a video of sports commentator, Joe Buck, talking to Eddie Vedder about playing Wrigley, the Cubs, and the making of Let's Play Two.  Check it out on YouTube.

Tuesday, October 10, 2017

Pearl Jam / Don Pendleton Halloween 2017


Pearl Jam has released their annual Halloween shirt, a Don Pendleton design, today.   It's available at the Ten Club for $29.99 (plus $6.99 domestic S&H).  You can also tack on a matching sticker for $5.


Thursday, October 5, 2017

Let's Play Two: Fan Review II


We'll continue our reviews by Red Mosquito Forum members today with a post from Australia. Thank you to our moderator, Sarge, for this great review.




Nights out like this are a rarity for me these days, especially during the week. It's not that I'm unsociable. After long working days and dealing with the kids, I often don't have the energy left. Yet I persevered. I meandered down to the theatre precinct, to meet with some mates. We grabbed some Gami Chicken for dinner. I had no idea what the fuck this was, but found it to be a mixture of tasty and insanely spicy food. After destroying my taste buds permanently, we headed up to the theatre.

We found some good seats, and relaxed before the previews started. This was the point that something began stirring in my belly. A minor rumbling warning, deep down in my gut; a little reminder of why I don't usually eat spicy food. The film started, and it didn't waste any time jumping into the baseball side of things. The Cubs and Wrigley Field.

Being Australian, Baseball isn't a widely followed sport here. Actually, we know fuck all about it apart from what The Simpsons has told us (it's boring if you're sober?). But I found this quite interesting. We're told of the long history of a teaming struggling for success, i.e. the classic underdog story. We're also told of the supposed curse of the Goat. Eddie quips "I don't believe in goats" - haha, funny fucker.

Intertwined into this story are mentions of Eddie growing up in Chicago. When he was a kid and would buy hotdogs from a bar know as Murphy’s Bleachers. We meet meet the owner Beth. who has a close friendship with Ed. Beth and her husband Jim Murphy bought the bar in 1980, but Jim sadly passed away in the late 90's. There's early 90’s footage of Ed walking around the outside of Wrigley Field. I seem to remember seeing some of this footage in PJ20. But most of it's new - barring a scene featuring an excited Ed finding a pile of dumped turf. He mentions he wants to take it home and have his own piece of Wrigley in the garden. Ha, the rich fucker can probably afford to buy the entire Wrigley Field now.

During this journey, someone seemed to have plugged a hose into my belly button. They were pumping air, or something into my gut. The deep rumbling increased. The ache worsened. And my discomfort was getting out of control. Am I going to explode?

There's a lot of sentiment in the story. I mean absolute fuck-loads of it. Snippets and short stories about some of the famous people tied to history of Wrigley Field. Such as Harry Caray. We see footage of him singing Take Me Out to the Ball Game. This intertwines with footage of Ed doing a (likely) drunken rambling of the same song. It's a horribly beautiful duet. In a light hearted moment, we meet the old fellas who wait outside around the field. They stand in hope of catching home run balls. These guys appear to be bonkers. Once of them states “My specialty is to wait for the ball to stop rolling, then I grab it!.” Yeah, quite bonkers.

This film did it's best to try and make us blubber. We're shown Steve Gleason doing a small speech and introducing Inside Job. We're also introduced to a fellow named John who queued up for 2 4 days so he could be at the front of the show. His father had died shortly before the concert, and he talked about how he sang Release prior/after. (I wasn't clear on this, he either sang with his dad while he was dying, or he sang it after with his family). So Ed calls him out during the concert, and mentions that John had been going through a hard time recently. They played Release for him. We watch John's mixture of emotions, through teary eyes. No, wait. Fuck off I'M NOT CRYING YOU ASSHOLES!

Meanwhile, some farts were working their way out of my swollen gullet. Thanks to the loud cinema, nobody hear. But the stench. Fucking hell. The stench.

The story winds its way to where the tension rises in the final few Cubs games. Where it looks like they may not quite reach the pinnacle. But then, obviously due to Ed singing I Believe in Miracles, SPOILER ALERT - they mother fucking win the World Series. Jubilation and celebration ensue. Then we're shown the brand new fancy ass locker rooms and facilities Wrigley Field now have. It seems to double as a bar/nightclub. Are there strippers on those bar tops during the games?

It's a great, emotional and uplifting story. Interspersed into this story are live songs played at Wrigley Field over 2 nights in August 2016. I have to say, the cinematography and sound are the best I've seen from a PJ DVD. Fuck me, they sound great. We've heard/seen a lot of these songs up-teem fucking times. But seeing them on this scale of production was interesting. And something else to behold during these songs, is that the band appeared to be having fun.

Unfortunately, I wasn't having as much fun. Gami was proceeding with a full frontal assault on my digestive system. The ensuing farts were not providing near enough any relief. And, at one moment I felt a large fart bubble thump into my lower bowel. Is that the big one? After a horrid noise, there was a stench of death. Oh shit. That felt a little hot.. and wet... Ugh. Bodysnatcher flashed in my mind. What would he do now? FUCK YOU GAMI CHICKEN!

For those that are curious, the use of the baseball story VS songs is actually well balanced. We're provided with between about 2-5 minutes of baseball/Ed story for each segment. Then between each of these, we're shown a pair of full length live songs. During each song, there's very little baseball footage, but live band/crowd footage.

Some points to note, Crazy Mary was pretty good. Lightning bolt sounded different in the mix, in comparison to the other songs. Not worse, but quite different. It was somewhat heavier in production. I wondered if this meant the mixing done by someone else. Or was there more a purposeful emphasis placed on this one? We're given a performance of Last Exit that has more energy that previous performances. Proving that these guys are not dead yet. Overall, the song selection was reasonably good. It drew mostly from the early to mid eras of PJ discography. With notable omissions from the entirety of Backspacer, Binaural, and No code.

At a mid point in the film, we're treated to the rooftop rehearsal on Murphy’s Bleachers. This was a highlight. Rarely heard Thumbing My Way was a treat. We're shown little jams, and tid-bits of songs, while a crowd is gathering in the street below. The band seems relaxed, happy, and content. There's banter. More of this please. Seriously.

There were only a couple of moments where I caught myself dozing off. During Go, and Inside Job - (hey, it's a fucking long song). Apart from that, I was thoroughly immersed. Danny Clinch successfully bathes us in the atmosphere. Not only in the Cubs journey, and the history of Wrigly Field. But also in the pleasing visuals and audio of the live performances.

Also, a special fuck you goes to B. He mentioned something about snippets of new songs during/after the credits. I stuck through only to be assaulted by a live performance of Mind Your Manners. Don't get me wrong, it's not a bad performance. But why place it here after the credits? It's an abrupt note to end on. Why not show another acoustic rooftop jam song? Something laid back. That would have worked for me, but not this. This was a shite ending. When I watch the DVD, I'm never watching beyond the credits.

Above all, it's a great flick. We filtered out of the theatre, and I immediately made a beeline for the toilets. Bodysnatcher, you would have been proud. I didn't shit my pants (as suspected earlier) but I fucking destroyed that bowl.

Film - 9.5/10
Gami chicken 2/10
My Gut 0/10